Next: About this document ...
Up: Self-similar Synthesis: On the
Previous: Morphosis
  Contents
- 1
-
Jean-Baptiste Barrière.
``Chréode I'': the pathway to the new music with the
computer.
In Tod Machover, editor, Contemporary Music Review, volume 1,
pages 181-201. Harwood Academic, New York, 1984.
- 2
-
John Cage.
Silence.
Wesleyan University Press, Middletown, Connecticut, 1961.
- 3
-
Herschell B. Chipp.
Theories of Modern Art.
University of California Press, Berkeley, California, 1968.
- 4
-
Noam Chomsky.
Language and Problems of Knowledge.
MIT Press, Cambridge, Massachusetts, 1988.
- 5
-
J. M. Chowning.
The synthesis of comlplex audio spectra by means of frequency
modulation.
Journal of Audio Engineering Society, 21:526-534, 1973.
- 6
-
Thomas M. Cover and Joy A. Thomas.
Elements of Information Theory.
Wiley-Interscience, New York, 1991.
- 7
-
Joseph Dauben.
Georg Cantor.
Harvard University Press, Cambridge, Massachusetts, 1979.
- 8
-
Richard Dawkin.
The Selfish Gene.
Oxford University Press, New York, 1976.
- 9
-
Charles Dodge.
A musical fractal.
Computer Music Journal, 12(3), 1988.
- 10
-
W. Jay Dowling and Dane L. Harwood.
Music Cognition.
Academic Press, Orlando, 1986.
- 11
-
Edward FitzGerald.
The Rubáiyát of Omar Khayyám.
Dover Publications, New York, 1989.
- 12
-
Patrick Flandrin.
On the spectrum of fractional brownian motions.
IEEE Transactions on Information Theory, 35(1):197-199,
January 1989.
- 13
-
Kahlil Gibran.
Spiritual Sayings of Kahlil Gibran.
Citadel Press, New York, 1962.
- 14
-
James Gleick.
Chaos.
Penguin Books, New York, 1988.
- 15
-
Kurt Gödel.
On Formally Undecideable Propositions Of Principa Mathematica
and Related Systems.
Oliver and Boyd, Edinburgh and London, 1962.
- 16
-
Paul Griffiths.
Three works by Johathan Harvey.
In Tod Machover, editor, Contemporary Music Review, volume 1,
pages 87-109. Harwood Academic, New York, 1984.
- 17
-
Jonathan Harvey, Denis Lorrain, Jean-Baptiste Barrière, and Stanley Haynes.
Notes on the realization of bhakti.
In Tod Machover, editor, Contemporary Music Review, volume 1,
pages 111-129. Harwood Academic, New York, 1984.
- 18
-
Douglas R. Hofstadter.
Gödel, Escher, Bach.
Basic Books, New York, 1979.
- 19
-
Franz Kafka.
Parables and Paradoxes.
Schocken Books, New York, 1961.
- 20
-
Marvin Keshner.
noise.
Proceedings of the IEEE, 70(3), March 1982.
- 21
-
Soren Kierkegaard.
``Fear and Trembling'' and ``Repetition''.
Princeton University Press, Princeton, New Jersey, 1983.
- 22
-
L. Koblyakov.
Notes préliminaires au sujet de la musique nouvelle.
Dissonanz, 7, 1986.
- 23
-
Lao-Tzu.
Te-Tao Ching.
Ballantine Books, New York, 1989.
Translated by Robert Henricks.
- 24
-
F. Lerdhal.
Cognitive constraint of compositional systems.
In John Sloboda, editor, Generative Processes in Music: The
psychology of Performance, Improvization, and composition, pages 231-259.
Clarendon Press, 1988.
- 25
-
A. Lindenmayer.
Mathematical models for cellular interaction in development, i-ii.
Journal of Theoretical Biology, 18:280-315, 1968.
- 26
-
Edward N. Lorenz.
Deterministic nonperiodic flow.
Journal of the Atmospheric Sciences, 20, March 1963.
- 27
-
Tod Machover.
Computer music with and without instruments.
In Tod Machover, editor, Contemporary Music Review, volume 1,
pages 203-230. Harwood Academic, New York, 1984.
- 28
-
Benoit B. Mandelbrot.
Some noises with spectrum, a bridge between direct current and
white noise.
IEEE Transaction, Information Theory, 13(2):289-298, 1967.
- 29
-
Benoit B. Mandelbrot.
The Fractal Geometry of Nature.
Freeman, San Fransisco, 1983.
- 30
-
E. Nagel and J. R. Bewman.
Gödel's Proof.
New York University Press, New York, 1958.
- 31
-
C. Vidal P. Bergé, Y. Pomeau.
Order Within Chaos.
Wiley-Interscience, New York, 1984.
- 32
-
W. Press, B. Flannery, S. Teukolsky, and W. Vetterling.
Numerical Recipes in C.
Cambridge University Press, 1988.
sections 2.9 and 14.3.
- 33
-
Miller Puckette.
The patcher.
Proceedings of 1988 International Computer Music Conference,
1988.
- 34
-
Howard L. Resnikoff.
The Illusion of Reality.
Springer-Verlag, New York, 1989.
- 35
-
Jean-Claude Risset.
Mutations: a 33 rpm L.P. record including ``trois moments
newtoniens.''.
Collection INA-GRM (distributed by Harmonia Mundi), 1979.
Cf. also compact disc INA C 1003.
- 36
-
Jean-Claude Risset.
Paradoxical sounds.
In Max V. Mathews and John R. Pierce, editors, Current
Directions in Computer Music Research. MIT Press, Cambridge, Massachusetts,
1989.
- 37
-
Xavier Rodet, Yves Potard, and Jean-Baptiste Barrière.
The CHANT project: From the synthesis of the singing voice to
synthesis in general.
Computer Music Journal, 8(3):15-31, 1984.
- 38
-
Charles Rosen.
The Classical Style.
W. W. Norton, New York, 1972.
- 39
-
Kaija Saariaho.
Timbre and harmony: interpolations of timbral structures.
In Stephan McAdams, editor, Contemporary Music Review,
volume 2. Harwood Academic, New York, 1987.
- 40
-
Arnold Schoenberg.
Style and Idea.
University of California Press, Berkeley, Los Angeles, 1975.
- 41
-
Arnold Schoenberg.
Theory of Harmony.
University of California Press, Berkeley, Los Angeles, 1978.
- 42
-
Erwin Schrödinger.
What is Life? & Mind and Matter.
Cambridge University Press, New York, 1967.
- 43
-
Manfered R. Schroeder.
Fractals, Chaos, Power Laws.
W.H. Freeman, New York, 1991.
- 44
-
Claude E. Shannon and Warren Weaver.
The Mathematical Theory of Communication.
The University of Illinois Press, Urbana, Illinois, 1949.
- 45
-
R. N. Shepard.
Circularity in judgments of relative pitch.
Journal of Acoustical Society of America, 36(12):2346-2353,
1964.
- 46
-
Karlheinz Stockhausen.
Die Reihe 3, .....how time passes....., volume 3.
Theodore Presser Co., Bryn Mawr, Pennsylvania, english version
edition, 1959.
- 47
-
Karlheinz Stockhausen.
Stockhausen on Music.
Marion Boyars, London, New York, 1991.
- 48
-
Ferrel G. Stremler.
Introduction to Communication Systems.
Addison-Wesley Pub. Co., Reading, Massachusetts, 1982.
- 49
-
Barry L. Vercoe.
Csound: A manual for the audio processing system and supporting
programs.
MIT Media Lab, Music and Cognition, Cambridge, Massachusetts, 1990.
- 50
-
R. F. Voss and J. Clarke.
`` noise'' in music: Music from noise.
Journal of Acoustical Society of America, 63(1), 1978.
- 51
-
G. W. Wornell and A. V. Oppenheim.
Estimation of fractal signals from noisy measurements using wavelets.
IEEE Trans. on Signal Processing, March 1992.
- 52
-
Shahrokh David Yadegari.
Using self-similarity for sound/music synthesis.
Proceedings of 1991 International Computer Music Conference,
1991.
Shahrokh Yadegari
2001-03-01